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Ben Vida New York, New York
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supported by 124 fans who also own “The Untitled (August 2020)”
an album that focuses on blasts and releases, patterns and less-so-pattern-y compositional moments. The movement from pattern-y rhythmic pulsing, even danceable? to rich, drone-y, expansive, even noisey? are idiosyncratic, natural and fun. Nothing ever builds up too much or lays too strong of a foundation, so stops and shifts are more than allowed and when a shift does occur there's a safety in knowing it will change soon. Amazingly recorded, great sounds.
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supported by 124 fans who also own “The Untitled (August 2020)”
Probably one of the most "Big Deals" as far as I know being a BC user. For a ridiculous price—four bucks—you get 40 awesome tracks under SP's signature with all its meaning. This compilation is a really MUST-HAVE. My favorite track has been chosen by pure randomness. Enjoy this gift!
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supported by 122 fans who also own “The Untitled (August 2020)”
Roxy Music for Teletubbies!
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On “Channelview,” Curved Light slides from peaceful passages to lawless synth lines without warning.
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More warm, uplifting, rapturously off-kilter grooves from the veteran UK producer, whose keen ear for samples remains sharper than ever.
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Electronic Music from the Eighties and Nineties
by Carl Stone
The soothing, hallucinatory side of Carl Stone’s slow-evolving, time-bending compositions.
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supported by 122 fans who also own “The Untitled (August 2020)”
come get lost in tactile, polytemporal worlds
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