Reducing The Tempo To Zero

by Ben Vida

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Norbert Herber Transcendent. Would love to get the SD version if/when available in the future. Always good to hear your new work after these many years!

LFSaw if you have the time, listen to it completely with your favourite headphones and in your favourite environment. you will be transformed by it.

<=> *a brilliant out come of sonic study... be still and receive.

drone2805 Do you know Mister Vida that I expect you to produce another powerful drone album like this one ?! Definitely one of the most powerful electronic drone albums I have heard. It is much too major for one to be content with one !!! Favorite track: Reducing The Tempo To Zero (Part 4).

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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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USB Flash Drive + Digital Album
Second edition

USB Card housed in a pvc magnetic case, edition of 50 copies.
Over 4 hours of music included in MP3 / WAV and FLAC formats,
Mastered by Stephan Mathieu.
Artwork by Xavier Antin
Designed by Bartolomé Sanson.

Includes unlimited streaming of Reducing The Tempo To Zero via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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edition of 50 4 remaining

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	1.	Reducing The Tempo To Zero (Part 1) 56:18
	2.	Reducing The Tempo To Zero (Part 2) 01:00:00
	3.	Reducing The Tempo To Zero (Part 3) 58:33
	4.	Reducing The Tempo To Zero (Part 4) 01:08:00

about

The theme of time is unavoidable when approaching Ben Vida’s Reducing the Tempo to Zero, his latest endeavour with Shelter Press. A singe work, pushing the bounds of Digital and Analog Synthesis, which stretches to just over 4 hours in length, its realization is the product of years of effort - the process of recording and editing extending across the period between 2015 and 2019, offering momentary conclusion to an arc of ideas and practice which which first appeared on Damaged Particulates, issued in 2016.

RTTTZ is a temporal nesting doll - a meditation, conceived by Vida as a part of a daily practice which embarked upon sustained periods of focused creation and listening. While the product of a deeply personal, inward journey, similar to iconic efforts by composers like Dennis Johnson, La Monte Young, Morton Feldman, and Éliane Radigue, it strives to unravel the standards and expectations applied to musical and experiential time, taking the relation to sonic phenomena into an almost transcendental realm. Immersive in scale and endurance, through a deep and radical sensitivity to material and structural hybridity, Vida’s return to the durational drone based forms - first explored as a member of Town and Country during the mid-90s - drives the ear toward the solace found through developmental and intimate relationships with the fleeting, granular, and discrete, transmogrifying smallest detail into a monumental event.

Despite being the “complete” RTTTZ document, made concrete by the process of recording, this 4+ hour iteration carries the shifting ghosts of other beings and times. It represent only one of many possible, existing beside a free standing phonetic, text-based score, and a near infinite number of evolutionary, live variations - instrumental and vocal versions, as well as those which spring from the combination of instrumental and vocal ensembles of varying sizes, each time of different length, changing and taking on new dimensions determined by the its performers. In a sense, each version is simultaneously free-standing and finished, while capable of reconfiguration and being made anew - a mirror for its shifting passage through the ear, which triggers multiple, concurrent images of other times and existence of itself.

While the duration, structure, and relatively of RTTTZ focuses attention toward the internality of what it is, like all great art, they are simply a means to an end. The crucial themes lay with the cumulative effect of their sum - the power of phenomena and highly individualized experience. It is an organized, sonorous space which is to be occupied and within which to get lost, shifting the ownership, whether embarked upon actively or passively - both as valid and rewarding as the next - to the listener alone, sculpting a subjective expanse which denying concise location and, in so doing, undermines the presumption of the capacity to be the same thing twice.

Overwhelmingly beautiful in its oscillating harmonics and punctuation of pulsing texture and tone, each stage of its evolution moving at a glacial pace, represents a monumental achievement from Vida within the broad landscape of experimental and avant-garde sound. Reducing the Tempo to Zero was mastered by Stephan Mathieu, and is released by Shelter Press in both digital and limited USB card editions.

credits

released December 6, 2019

Recorded 2016-2019 New York
Mastering: Stephan Mathieu
Artwork: Xavier Antin
Bird Show ASCAP 2019

SHELTER PRESS

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about

Ben Vida New York, New York

Ben Vida is a composer and artist. In the mid-1990s Vida co-founded the minimalist quartet Town & Country and released solo records under the moniker Bird Show. He has worked with numerous labels including Alku, PAN, Shelter Press and Kranky. Vida teaches in the MFA program in Sonic Arts, Brooklyn College. ... more

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May 05

Downtown Brooklyn Bed & Breakfast

Brooklyn, NY

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